《動作的隱喻》
metaphor of movement
洪梓倪x斯馬里奧 Hung Tzu-Ni x Semalriyaw
2022 / 聲音複合媒材mixed media with sound
去年來臺東美術館駐館創作的洪梓倪，在這次「消失的聲音」受邀的創作計畫中，和射馬干部落的音樂人斯馬里奧共同創作，以聲音複合媒材作品《動作的隱喻》來探索身體記憶、聲音檔案與大自然間的反覆拉扯中試圖找到平衡的位置。這個作品也是斯馬里奧藉由聆聽以及聲音採集，從都市原住民回到原鄉中多道線索中的一條取徑。
Artist Hung Tzu-Ni who came to Taitung Art Museum last year to create her artworks. She collaborates with Semalriyaw, a musician from the Kasavakan tribe. Using the sound composite media work "Metaphor of Movement" to explore the position of trying to find a balance in the repeated pulling between body memory, sound archives and nature. This work is also one of the many clues that Semalriyaw takes from the urban aborigines back to their original hometown through listening and sound collection.
聲音完整發出的當下就開始消失，消失是改變與移動必然的過程，聲音檔案經由紀錄留存對照同時也與過去文化記憶相互拉扯，平衡的拉扯，同時也是跨越時空的連結。這樣的拉扯並不是一方靠向一方，而是透過重複的動作、反覆之中逐漸找到體感與大自然、現代與過去的平衡點，逐漸共存的過程。藉由生命、文化、工作反覆的改變與移動產生的聲音，與過去文化記憶產生平行同步且錯置的延伸想像。
我們試圖將移動的聲音、協力工作的聲音、眾人使力與大自然拉扯的聲音，經由編制與調變成四首聲音文本座落於台東美術館各處，聽眾經由手機掃描QR code即可線上聆聽。
When the sound is completely emitted, it begins to disappear. Disappearance is an inevitable process of change and movement. The sound archives are recorded and compared, and they are also intertwined with the past cultural memory. A balanced pull is also a connection across time and space. This kind of pulling is not one side to the other. It is a process of gradually coexisting through repeated movements and repetitions to gradually find a balance between body sensation and nature, modernity and the past. The sound is emitted by repeated changes and movements of life, culture, and daily work.
We tried to transform the sound of movement, the sound of working together, the sound of people's strength and the pulling of nature, through compiling and tuning into four sound texts, which are located in the Taitung Art Museum, and the audience can listen to it online by scanning the QR code with their mobile phones.